Author - Nina Cordoba

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My interests are varied and I'm likely to write anything from funny to poignant to informational, so my blogs are organized by topic. Just choose your favorite topic on the left. I'd love to hear from you in the comments section or go to Contact and email me privately if you like. Thanks for coming by!

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10/28/2017 11:49:37 PM

Quiche is the Word!

I'm so glad Dead Men Don't Eat Quiche is out now, and so relieved I've been getting such wonderful reviews for it, as well as the first Martin and Owen book Dead Men Don't Chew Gum.

Luckily, when I read through them now, the fact that I had several meltdowns during Gum--"Why did I think I could write a mystery? There's so much to keep up with!"--and then during Quiche-- "Why did I tell everyone this was a mystery series? I can't even tell if this second one is any good!"--doesn't seem obvious at all.

After each of these meltdowns, Mr. Nina reminds me that I went into similar rants after working on my rom coms, too. I just get to a point where I've read through my book so many times, I feel like I have no perspective.

Anyway, I'm about 10,000 words into Dead Men Don't Flip and I'm actually going to do NaNoWriMo (an annual writer thing that I always said was stupid, when you try to write 50,000 words in November).

I'm trying to train myself to get my first drafts finished as quickly as possible so I can get books out faster. Not only do I have more Martin and Owen books I want to do, but I have notes for a number of spin-off romantic comedies starring other characters in the books.

Big thanks to my beta readers and free-read-for-review teams that come from my reader group! If you'd like to join the reader group and get notified of releases and other cool stuff, 
sign up here.

posted by Nina 0 Comments

7/12/2016 11:10:47 PM

Audiobook Narration Interview with Susannah Jones

*Note: To learn more about Susannah and her road to becoming a noteworthy narrator, you can go to the first part of our interview.

Because I'd had so much trouble finding narrators who could do both comedy and the various accents in my stories, I was thrilled to discover Susannah Jones narrating a series of audiobooks I was listening to.

Now that she's narrated several books for me, I asked her if she'd let me interview her, both for the enjoyment of readers and to shed a little light on what she does for authors. Check the bottom of this post, after the interview, for a bit more information about audiobooks.


Thanks for answering more questions so my writer friends who are considering making audiobooks can understand a bit more about what you do, Susannah.

Sure, Nina, I'm happy to do it!

I guess my first narration-specific question is about your process. You seem so well-prepared and consistant in your characterizations. What is your process? Do you read through the book once and just know all the characters? 

Thank you! I’m thrilled you feel that way. I do indeed read the whole book before I begin. It gives me a great sense of what the characters will sound like. If there are lots of different characters, I like to test out how each one sounds before getting into the studio where yes, there is an engineer there to guide me and help me remember what people sound like. And to stop me when I make mistakes!

How long can you work at one sitting? How do you keep track of each
character's voice and ensure it remains consistent? Do you ever get
embarrassed narrating love scenes while there are others in the studio?

Haha!! I DEFINITELY felt embarrassed the first time I recorded a romance. I collapsed into giggles one time with my engineer. And even now, having recorded about fifty romances, there are times when a certain phrase will catch me off guard and I’ll have
to pause to laugh. But mostly now I’m able to keep it together and tell the story, however sexy it might be. As far as keeping track of voices, the engineer will mark when a new character speaks so we can reference that sound clip later. And I record for about 5-6 hours at a time.

Wow, I'm impressed. I couldn't keep my brain or my voice long enough to read aloud for 5-6 hours, much less in the correct character voices. I noticed you have a really good ear for dialogue emphasis, too, as well as an understanding of comedy. What do you attribute that to?

Shakespeare training! In school we took a class in “verse and text”. My teacher taught us all about antithesis, ladders, scansion (which doesn’t necessarily apply to prose, but can still give you an excellent understanding of the way people speak), etc. And I think comedy just emerges when you understand the rhythm of what people are saying.
If it’s supposed to be comedic and you’re observing the correct phrasing of the line, then it’s funny!

It is funny. When you sent me the first book you recorded for me, No More Mr. Nice Girl, I thought, "Clearly I wrote an even better book than I thought!" Haha!

So, in a perfect scenario, what do you like to get from the author that will help
you perform the story and characters to the best of your ability?

You were by far the most thorough author I’ve worked with...

Actually, I'm a control freak, but "thorough" does sound a lot nicer. You should be a writer.

Well, I’ve never gotten sound samples before!

For those of you reading this, I bombarded Susannah with short recordings of Spanish word pronunciations (since she'd never taken Spanish, but I suspected, rightly, that she was a good mimic). I also sent her a paragraph about who each main character was, where they were from, etc. and a sentence or two about many of the lesser characters. In other words, more than she probably ever wanted to know.

But those helped a lot in informing me about how people sound in your head. Some authors just let me go with my instincts; others have specific ideas of how people should sound. I like both ways, honestly. I have fun when I have the freedom to decide everything, but I also like having more insight into how the writer perceives his or her own characters!

Well, it was clear that you read my notes and listened to the recordings, and I appreciated it. I also appreciated how accurate you were so there weren't a lot of sound edits.

Thanks, Nina. I appreciate you appreciating me.

And I appreciate you appreciating me appreciating you, Susannah. (You should give up now. I can do this all night.)

Ha! I give.

So, how can authors who want to contact you about your service do so?

They can email me at or contact me through my website.

Thanks again for the information, Susannah. I'm sure I'll be contacting you again soon!


Just a little more information for authors:

I have now gone about this process 3 different ways under my 2 pen names. I worked with a narrator who had her own sound set-up (as many do), who worked alone. Later, I hired a studio run by a couple in New York. They found the talent who came to their studio with a sound engineer.

The narrator working on her own was least expensive ($200 per finished hour), but the sound quality wasn't quite as good.

The studio who found the narrator for two of my other books (under a different pen name) was very expensive, at the top of the ACX range at $1,000 per finished hour. Luckily, those two novellas sold very well and I got my money back quickly, but one of them had been on the NY Times bestselling ebook list and they were connected to each other, so I wouldn't assume that would be the case with other books.

The thing that bothered me the most in both situations were the large number of misspeaks throughout the book and other issues that needed to be fixed. This meant I had to spend a lot of time listening closely and marking down the chapter, time within the chapter, the incorrect wording and what it should be. I felt like I'd had to do so much work, I put off recording more audiobooks for a while just to avoid the hassle.

This problem doesn't have as much to do with which type of setup you go with as it does how accurate and perfectionistic your narrator and/or sound engineer are. I found Susannah Jones to be both reasonably priced and accurate, so I only had to mark down a few edits and email the information to her.

Regardless, you should expect a novella or novel to be in the thousands of dollars to record. So far, both the ACX calculator and the producers have been pretty accurate in using my word count to predict how many hours the finished recording would be and how much it should cost, total.

You can hear samples of Susannah Jones narration by going to my book page and clicking on Not Dreaming of You, Always Dreaming of You or No More Mr. Nice Girl then click "Audio Book Sample." Or you can go to and search her name.

posted by Nina 1 Comments

7/12/2016 9:26:09 PM

Interview with Actress Susannah Jones

From becoming an actress in the Big Apple to love with her leading man.


I'm sooo jazzed about my new audio books, mostly because I found awesome actress-narrator Susannah Jones. It's no easy task for a narrator to interpret characters in a way that satisfies the author. After all, we've often lived with these characters in our heads for years. Yet, Susannah made them come to life in a way that's even better than I imagined.

 In fact, I was so impressed by her, I asked her to do an interview for my blog, mostly so I'd have an excuse to ask her questions that would have been none of my beeswax otherwise. (See how crafty I am? Shhh... Don't tell her about my ulterior motives. I'm sure she'll never see this.)

Okay, Susannah, I'm trying to figure out how an awesome narrator is made so the scientists I keep tied up in my basement can do some reverse engineering and clone you. What's your origin story?

 I was born in St. Petersburg, FL. My mom was a copy-writer at an award winning ad agency she ran with three other women. My dad is a book critic, previously of the St. Petersburg Times, then Newsweek, which morphed into what is now The Daily Beast.

Raised by two literary parents and surrounded by books, I developed a love of literature early on. I also have a younger brother who is sort of my polar opposite—he was the athlete in the family. I was always interested in performing arts—first ballet, then musical, then Shakespeare, and now pretty much anything and everything I can get my hands on. Although I will say that I don’t dance very much anymore!

 Any relationship tidbits you want to share with us? Is there a guy/girl in the picture? (We romance writers are required by law to ask that question.)

I am with a great guy that I met last summer performing in Shakespeare’s Twelfth Night. He’s an actor and a poet. He played Sebastian and I played Olivia, who are lovers in the play. It's my first “show-mance”! 

Okay, that's really romantic. How did you find out you were into each other in real life?

You know when you start talking to someone and the repartee is electric and natural and exciting? And then the person is really handsome on top of that? That's how it was when I met Jay Ben at the beginning of our contract for Mainestage Shakespeare last summer. He was so smart and witty and it didn't hurt that I got to watch him lift a lot of wood beams while he was helping build our set.

I was dating someone else at the time, but that came to an abrupt stop about three weeks in. A week later, all the actors were having one of our regular Saturday night parties and a friend of ours (who, it turned out, we had both confessed our crushes on each other to), orchestrated an opportune meeting on the driveway of our actor house.  Because we were a little tipsy, we ended up lying down on the driveway (it's a miracle we didn't get run over).

We were next to each other, looking up at the glittering Maine night sky, talking about everything but the fact that we liked each other and were physically closer than we had been all summer, when he confessed that he really liked me. I looked over at him and smiled and we kissed (but that was it!) and the next day decided to start dating.  It was one of the most romantic summers I've ever had, and it's still wonderful now a year later! 


I understand you live in New York, home of Sex and the City. I guess before "Sebastian" came along, you led a swinging single life, just like we see on TV?

I’m certainly no swinging single!! But I am a sucker for “meet-cutes”. I met my first love in the library at NYU (my alma mater). I like telling that story because I’ve always thought of the library as a super-romantic place! And of course, performing opposite my current boyfriend in a Shakespeare play was a pretty ideal way to fall in love too!

Have you had any non-acting jobs that you were weird, quirky, or that almost drove you crazy for some reason?

Well, I had the requisite hostess job, which I hated. I lasted six months and then had to quit because those hours and that lifestyle just weren’t for me. I always tip at least 20% because I respect people who are in the service industry immensely.

I had a year when I thought I wanted to be a personal organizer (I LOVE to sort things—it really soothes me), but I realized it’s not as fun to organize other people’s stuff as it is your own. And then that ended around the time that I got into recording audiobooks fulltime! I also had a side job writing thank you notes for an office supply company that paid $.75/card. Lots of writer’s cramp with that one!

Darn, for a second there, I thought I'd have that narrator-slash-organizer I always wanted, until you said the part about only wanting ot sort your own stuff. Bummer. Anyway, how did you decide to become an actress? How did you get into narration/voice overs?

 When I was three, I begged my mom to sign me up for ballet class. I always had a huge urge to perform. I took serious dance classes til eighth grade, when I realized I would rather dedicate my extracurricular hours to being in plays. I was a member of the Lullaby League in an elementary school production of The Wizard Of Oz and basically didn’t stop performing after that. In fifth grade I got to play Rosalind in As You Like It. And then I was in all the musicals and plays in school from there on out!

Voiceover wise, I actually recorded my first professional voice-over gig in second grade when my mom needed someone to voice a baby in one of her commercials! I didn’t do much else until after college when I wrote to Audible asking to audition for them. Soon after that, I started getting more and more work, and now I do it almost full time.

Do you have a favorite moment or high point for you as an actress?

One shining moment was being cast as Mother in the national tour of A Christmas Story-The Musical. I remember when we were rehearsing the bows. They were set to music, and when it was time for me to come out, it changed from sort of peppy and quick, to this sweeping, emotional strain, and I got to bow to an enormous theater in Kentucky and I thought, “Wow, this is actually how I dreamt it would be when I was ten.” That was a reallyspecial moment for me because I felt like I had “made it”.

I noticed when I say someone "whispers-sings childishly" in my books, you actually sing, just as I imagined it. (I totally got a thrill down my spine the first time I heard it.) Tell us something about your singing experience.

Singing was truly my first love. I grew up listening to my mom play the piano and I used to sing the songs from Rodgers and Hammerstein’s Cinderella with her. It’s something I’ve always done and felt right doing. I can’t imagine my life without it. In fact, I’ve always been very confident about my answer to that silly question, “Would you rather be deaf or blind?” I would absolutely rather be blind, because then I could still experience music.

Hmm...deaf or blind? I'm rooting for none of the above for you because I need you to read my books, which involves seeing, and I would guess hearing yourself helps when you're narrating (because your deaf and/or blindness is all about me, of course). there anyone who was a special influence in your life or career?

My mom was always supremely supportive of me. She comes to all my performances multiple times to this day. But she never pushed me into anything I didn’t want. I was always dragging her around to dance lessons and rehearsals. But, even though she had a full time job, she always took me because she knew I loved it and believed in me. So, she’s been a great influence in my life. I hope I can be half the mom she is someday.

As an experienced mom myself, I'd advise you not to shoot for that "half a mom" thing. It can freak little kids out, especially if the other half is a werewolf. Or a clown. Actually, the only thing creepier than a clown is half a clown. (I know because my neighbors actually had half a clown on their lawn as a Halloween decoration. Not pretty.)


So, you seem to be pretty busy, but do you have any hobbies?

I play guitar! And I write a lot. And I love yoga.

Hey, we have a lot in common! I used to sing and play guitar when I was younger. Then my daughter came along and wanted to slap at the strings randomly while I played. (Kids are rough on hobbies in general. They seem convinced they should be your only hobby.) And I write a lot, too! Oh, I guess you know that, since we only know each other because you're narrating my books.

Well, I'm really glad you took the time to answer all these questions, Susannah. Maybe I'll come to New York to meet you someday. I don't love New York, but can't recommend you coming down to Houston. Maybe we could split the difference and meet in L.A.? Regardless, thanks for stopping by!


Hear a sample of Susannah narrating No More Mr. Nice Girl. 
Note: If you are an author interested in making audiobooks, I'd suggest you read my other post: Audiobook Narration-Interview with Susannah Jones.

posted by Nina 1 Comments

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